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29 September, night.—




A little before twelve o’clock we three—Arthur, Quincey Morris, and myself—called for the Professor. It was odd to notice that by common consent we had all put on black clothes. Of course, Arthur wore black, for he was in deep mourning, but the rest of us wore it by instinct. We got to the churchyard by half-past one, and strolled about, keeping out of official observation, so that when the gravediggers had completed their task and the sexton under the belief that every one had gone, had locked the gate, we had the place all to ourselves. Van Helsing, instead of his little black bag, had with him a long leather one, something like a cricketing bag; it was manifestly of fair weight.

When we were alone and had heard the last of the footsteps die out up the road, we silently, and as if by ordered intention, followed the Professor to the tomb. He unlocked the door, and we entered, closing it behind us. Then he took from his bag the lantern, which he lit, and also two wax candles, which, when lighted, he stuck, by melting their own ends, on other coffins, so that they might give light sufficient to work by. When he again lifted the lid off Lucy’s coffin we all looked—Arthur trembling like an aspen—and saw that the body lay there in all its death-beauty. But there was no love in my own heart, nothing but loathing for the foul Thing which had taken Lucy’s shape without her soul. I could see even Arthur’s face grow hard as he looked. Presently he said to Van Helsing:—

“Is this really Lucy’s body, or only a demon in her shape?”

“It is her body, and yet not it. But wait a while, and you all see her as she was, and is.”

She seemed like a nightmare of Lucy as she lay there; the pointed teeth, the bloodstained, voluptuous mouth—which it made one shudder to see—the whole carnal and unspiritual appearance, seeming like a devilish mockery of Lucy’s sweet purity. Van Helsing, with his usual methodicalness, began taking the various contents from his bag and placing them ready for use. First he took out a soldering iron and some plumbing solder, and then a small oil-lamp, which gave out, when lit in a corner of the tomb, gas which burned at fierce heat with a blue flame; then his operating knives, which he placed to hand; and last a round wooden stake, some two and a half or three inches thick and about three feet long. One end of it was hardened by charring in the fire, and was sharpened to a fine point. With this stake came a heavy hammer, such as in households is used in the coal-cellar for breaking the lumps. To me, a doctor’s preparations for work of any kind are stimulating and bracing, but the effect of these things on both Arthur and Quincey was to cause them a sort of consternation. They both, however, kept their courage, and remained silent and quiet.

When all was ready, Van Helsing said:—

“Before we do anything, let me tell you this; it is out of the lore and experience of the ancients and of all those who have studied the powers of the Un-Dead. When they become such, there comes with the change the curse of immortality; they cannot die, but must go on age after age adding new victims and multiplying the evils of the world; for all that die from the preying of the Un-Dead becomes themselves Un-Dead, and prey on their kind. And so the circle goes on ever widening, like as the ripples from a stone thrown in the water. Friend Arthur, if you had met that kiss which you know of before poor Lucy die; or again, last night when you open your arms to her, you would in time, when you had died, have become nosferatu, as they call it in Eastern Europe, and would all time make more of those Un-Deads that so have fill us with horror. The career of this so unhappy dear lady is but just begun. Those children whose blood she suck are not as yet so much the worse; but if she live on, Un-Dead, more and more they lose their blood and by her power over them they come to her; and so she draw their blood with that so wicked mouth. But if she die in truth, then all cease; the tiny wounds of the throats disappear, and they go back to their plays unknowing ever of what has been. But of the most blessed of all, when this now Un-Dead be made to rest as true dead, then the soul of the poor lady whom we love shall again be free. Instead of working wickedness by night and growing more debased in the assimilating of it by day, she shall take her place with the other Angels. So that, my friend, it will be a blessed hand for her that shall strike the blow that sets her free. To this I am willing; but is there none amongst us who has a better right? Will it be no joy to think of hereafter in the silence of the night when sleep is not: ‘It was my hand that sent her to the stars; it was the hand of him that loved her best; the hand that of all she would herself have chosen, had it been to her to choose?’ Tell me if there be such a one amongst us?”

We all looked at Arthur. He saw, too, what we all did, the infinite kindness which suggested that his should be the hand which would restore Lucy to us as a holy, and not an unholy, memory; he stepped forward and said bravely, though his hand trembled, and his face was as pale as snow:—

“My true friend, from the bottom of my broken heart I thank you. Tell me what I am to do, and I shall not falter!” Van Helsing laid a hand on his shoulder, and said:—

“Brave lad! A moment’s courage, and it is done. This stake must be driven through her. It will be a fearful ordeal—be not deceived in that—but it will be only a short time, and you will then rejoice more than your pain was great; from this grim tomb you will emerge as though you tread on air. But you must not falter when once you have begun. Only think that we, your true friends, are round you, and that we pray for you all the time.”

“Go on,” said Arthur hoarsely. “Tell me what I am to do.”

“Take this stake in your left hand, ready to place the point over the heart, and the hammer in your right. Then when we begin our prayer for the dead—I shall read him, I have here the book, and the others shall follow—strike in God’s name, that so all may be well with the dead that we love and that the Un-Dead pass away.”

Arthur took the stake and the hammer, and when once his mind was set on action his hands never trembled nor even quivered. Van Helsing opened his missal and began to read, and Quincey and I followed as well as we could. Arthur placed the point over the heart, and as I looked I could see its dint in the white flesh. Then he struck with all his might.

The Thing in the coffin writhed; and a hideous, blood-curdling screech came from the opened red lips. The body shook and quivered and twisted in wild contortions; the sharp white teeth champed together till the lips were cut, and the mouth was smeared with a crimson foam. But Arthur never faltered. He looked like a figure of Thor as his untrembling arm rose and fell, driving deeper and deeper the mercy-bearing stake, whilst the blood from the pierced heart welled and spurted up around it. His face was set, and high duty seemed to shine through it; the sight of it gave us courage so that our voices seemed to ring through the little vault.

And then the writhing and quivering of the body became less, and the teeth seemed to champ, and the face to quiver. Finally it lay still. The terrible task was over.


The hammer fell from Arthur’s hand. He reeled and would have fallen had we not caught him. The great drops of sweat sprang from his forehead, and his breath came in broken gasps. It had indeed been an awful strain on him; and had he not been forced to his task by more than human considerations he could never have gone through with it. For a few minutes we were so taken up with him that we did not look towards the coffin. When we did, however, a murmur of startled surprise ran from one to the other of us. We gazed so eagerly that Arthur rose, for he had been seated on the ground, and came and looked too; and then a glad, strange light broke over his face and dispelled altogether the gloom of horror that lay upon it.

There, in the coffin lay no longer the foul Thing that we had so dreaded and grown to hate that the work of her destruction was yielded as a privilege to the one best entitled to it, but Lucy as we had seen her in her life, with her face of unequalled sweetness and purity. True that there were there, as we had seen them in life, the traces of care and pain and waste; but these were all dear to us, for they marked her truth to what we knew. One and all we felt that the holy calm that lay like sunshine over the wasted face and form was only an earthly token and symbol of the calm that was to reign for ever.

Van Helsing came and laid his hand on Arthur’s shoulder, and said to him:—

“And now, Arthur my friend, dear lad, am I not forgiven?”

The reaction of the terrible strain came as he took the old man’s hand in his, and raising it to his lips, pressed it, and said:—

“Forgiven! God bless you that you have given my dear one her soul again, and me peace.” He put his hands on the Professor’s shoulder, and laying his head on his breast, cried for a while silently, whilst we stood unmoving. When he raised his head Van Helsing said to him:—

“And now, my child, you may kiss her. Kiss her dead lips if you will, as she would have you to, if for her to choose. For she is not a grinning devil now—not any more a foul Thing for all eternity. No longer she is the devil’s Un-Dead. She is God’s true dead, whose soul is with Him!”

Arthur bent and kissed her, and then we sent him and Quincey out of the tomb; the Professor and I sawed the top off the stake, leaving the point of it in the body. Then we cut off the head and filled the mouth with garlic. We soldered up the leaden coffin, screwed on the coffin-lid, and gathering up our belongings, came away. When the Professor locked the door he gave the key to Arthur.

Outside the air was sweet, the sun shone, and the birds sang, and it seemed as if all nature were tuned to a different pitch. There was gladness and mirth and peace everywhere, for we were at rest ourselves on one account, and we were glad, though it was with a tempered joy.

Before we moved away Van Helsing said:—

“Now, my friends, one step of our work is done, one the most harrowing to ourselves. But there remains a greater task: to find out the author of all this our sorrow and to stamp him out. I have clues which we can follow; but it is a long task, and a difficult, and there is danger in it, and pain. Shall you not all help me? We have learned to believe, all of us—is it not so? And since so, do we not see our duty? Yes! And do we not promise to go on to the bitter end?”

Each in turn, we took his hand, and the promise was made. Then said the Professor as we moved off:—

“Two nights hence you shall meet with me and dine together at seven of the clock with friend John. I shall entreat two others, two that you know not as yet; and I shall be ready to all our work show and our plans unfold. Friend John, you come with me home, for I have much to consult about, and you can help me. To-night I leave for Amsterdam, but shall return to-morrow night. And then begins our great quest. But first I shall have much to say, so that you may know what is to do and to dread. Then our promise shall be made to each other anew; for there is a terrible task before us, and once our feet are on the ploughshare we must not draw back.”























Exploring the eerie depths of Gothic horror, Bram Stoker's Dracula remains an enduring masterpiece of classic literature, weaving together elements of supernatural terror, mystery, suspense, and dark fantasy in the haunting backdrop of the Victorian era. This iconic horror novel, a cornerstone of gothic style, transcends time through its transmedia adaptations, leaving an indelible mark on the literary world. Dive into the ephemeral world of The Book of Dracula, where the Demeter's voyage, Dracula Daily, and the legacy of Dracula de Bram Stoker come together, captivating fans of horror, vampires, and all things gothic. Join us on this journey, celebrating World Dracula Day, Nosferatu, and the timeless allure of Halloween, a true treat for those who love horror, terror, and the spine-chilling tales of Bela Lugosi, the goth life, ghost stories, and the mysteries of the Necronomicon in the tradition of Hammer Horror and Frankenstein.


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